The Indian Super League (ISL) avoided a fresh crisis after Kerala Blasters FC were almost denied the right to play at their home ground just hours before their clash against Mumbai City FC.

The three-time ISL runners-up were set to host Mumbai City on Sunday, February 22, at the Jawaharlal Nehru International Stadium in Kochi. However, trouble began when the Greater Cochin Development Authority (GCDA), which owns the stadium, suddenly increased the rent by Rs 2.2 lakh per match just two days before the fixture.

The GCDA also demanded that the Blasters clear a balance amount of over Rs 22 lakh from last season’s deposit. The club was given a deadline of 4 pm on Saturday to settle the dues. Several meetings were held in the last two days before the deadline, but no solution was reached initially.

Kerala Blasters resolve the issue

The situation became serious on Saturday morning around 11:30 am. The routine
pre-match press conference was cancelled, and head coach David Catala, midfielder Rowllin Borges, and journalists were asked to leave the stadium by security personnel. The stadium gates were then locked and some of the offices set up by Kerala Blasters for match preparations were shut down. Even club officials and representatives of the All India Football Federation (AIFF) were asked to leave.

This created uncertainty just 24 hours before the match. However, relief finally came later in the day. The GCDA allowed the match to go ahead as scheduled after the club agreed to pay a total of Rs 28 lakh within a week. In a statement, Kerala Blasters said, “In the end, football is the winner. We will take to the field against Mumbai City FC tomorrow (Sunday) for our first home game of the season.”

ℹ️ An update#KeralaBlasters #KBFC #YennumYellow pic.twitter.com/DdxCyVBsvn

— Kerala Blasters FC (@KeralaBlasters) February 21, 2026

According to The Indian Express, the players were not affected by the developments. Both teams conducted their training sessions at the Blasters’ training facility, which is located around 10 km away from the stadium.

For now, the crisis has been avoided and the focus has shifted back to football. But the episode has once again highlighted the off-field challenges that clubs in the ISL continue to face despite the start of the league.

FanCode co-founder Yannick Colaco (L) and Sony Pictures Network India’s Chief Revenue Officer and Business Head (Sports and International) Rajesh Kaul (R).

New Delhi: Hours before the truncated Indian Super League (ISL) season gets underway on Saturday, it became official that FanCode had sub-licensed the linear TV rights to Sony Pictures Network India (SPNI). Under the agreement, as reported by TimesofIndia.com, Sony Sports Network will hold exclusive TV broadcast rights for India and non-exclusive rights for Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, and Sri Lanka. The position on international broadcast, however, is still in the works.All 91-matches will be telecast on Sony Ten 2 and pushed to other channels too if there is a double header at the same time.

This is not the first time Sony Sports Network and FanCode will work together. Both platforms carried tennis’ French Open in 2025 with Sony retaining the primary broadcast and sub-licensing the streaming aspect of all courts to Dream Sports-owned FanCode.Last year, a similar ploy was employed between Sony Sports and JioHotstar for cricket’s India tour of England. Under those terms, Sony kept the television broadcast rights while JioHotstar was responsible for the digital streaming.“The macro observation on this is (that) there’s so much opportunity (in the sports industry). (It) is so large that honestly there’s just so much to be done in the industry that collaboration is probably more apt at this moment than competition because there’s so much opportunity,” explained FanCode co-founder Yannick Colaco of the sub-licensing strategy to TimesofIndia.com.“And the way we look at it is very clear. We are a digital-first platform. So the two things that are unique about Fancode is (that) we are digital first and we are sports only.“Our product, our approach has always been focused on technology, focused on experience, focused on how we are available across 11 operating systems, focused on innovation on the digital side. And we neither have, nor (a) desire, to have any focus on building a linear TV business. “So when you look at those two unique pieces, there is tremendous opportunity to collaborate with other large media companies, which have a much bigger mandate and ambit. Very politely, we are a much smaller player in this overall media landscape. “And I think that’s the way we look at it in the sense that while younger audiences are all digital first, and even some of the older audiences are migrating to digital, there is still a large audience which consumes sports content on linear television. “So when we’re working with partners like the AIFF (All India Football Federation) and the ISL, we’re very conscious of the fact that to help the sport grow, help the event be successful, give it maximum amount of distribution, we need to be collaborating with partners who have the linear TV presence so that we are able to reach out and basically able to reach out to all sports fans and all ISL fans across the country,” he continued.Less than two weeks ago, FanCode acquired the broadcast rights — linear TV and digital — for the ISL at Rs 8.62 crore. Even though the company has presence only in digital streaming space, it consciously bid for both aspects knowing there were few, if any, players interested in just the linear TV rights.

During conversations between FanCode, AIFF and the ISL interim committee, the provider made it clear they wanted to help ensure the top-division football was showcased to as many viewers as possible.After officially bagging the rights, the company entered into conversations with multiple national providers and even some regional ones.“We immediately started speaking to a bunch of people about this, including regional broadcasters, and we took a bunch of proposals that we got, we put them all together. We shared them with the AIFF and the interim committee. We got on a call with them. I shared the pros and cons of each one with them. And on that basis, a decision was made to accept Sony’s proposal,” said Colaco.While that was happening, FanCode also spoke to ISL club representatives to understand their expectations on how to improve the product. It was at this stage that the concept of each club’s ‘superfan’ recording visuals behind the scenes came into being.

FC Goa manager Manolo Marquez in training ahead of ISL season start. (Image: AIFF)

ISL will have commentary in English, Hindi, Malayalam, Bengali and Tamil (only for Chennaiyin matches).Doing all this, why give away market share to a competitor like Sony Sports?“I’m making it easier for people who prefer to watch the game on linear television to watch it. And yes, (if it comes) at the cost of us also, that’s okay. I think it’s important to think consumer first. So I believe that eventually our product is what will give users the choice and deliver a great experience. And if it’s good enough, which I hope it is, and I believe it is, consumers will come,” reasoned Colaco.“I don’t think it should be forced and that’s always what we (have) believed. And I also think that you know a partner like Sony will help in raising the promotion levels and contribute (to the) marketing. (As the saying goes) A rising tide lifts all boats,” he added.Sony add to their growing portfolio

Logo of the Indian Super League.

On their part, Sony Sports Network, who had attended the pre-bid conference for the broadcast rights but chose not to make a final bid, sees this as an opportunity to add to their football portfolio which is largely led by European competitions.“While we were keen to add ISL to our sports portfolio, back then, we needed more time to evaluate the property before putting in our financial offer,” said Rajesh Kaul, Chief Revenue Officer and Business Head – Sports and International, SPNI, to TimesofIndia.com.Yet this won’t be their first foray into Indian football having previously showcased the I-League and Durand Cup.“Our aim is to cater to football fans and expand the football ecosystem in India. Sony Pictures Networks India is the Home of Football in India and we have a diverse and expansive portfolio of both International and Indian football properties that includes UEFA EURO 2028, the UEFA Champions League, UEFA Europa League, UEFA Nations League, Bundesliga, FA Cup along with India’s very own legacy tournament Durand Cup. Last year, we were also the official broadcasters of I-League which is also homegrown football league,” he stated.