What Cats Can Teach Us About Long Covid – Catster


Remarkably, it has been over six years since the world stood still for Covid-19, and whether you are amongst those who were deeply affected by the pandemic, or someone who believes that 7 million people worldwide dropped dead as part of an epic hoax, for many, the effects of the virus are still being felt. Something you may not be aware of is how much the research into feline coronavirus, more commonly known as Feline Infectious Peritonitis or FIP, has both benefited and been benefitted by the emergence of this most recent viral strain.

Not too long ago, we reported on some groundbreaking new FIP treatments that have become available over the past five years, turning a previously fatal illness into one with a relatively high recovery rate, thanks in very large part to Professor Neils Pederson, who has dedicated more than half-a-century of research into this perplexing disease.1 Prior to 2020, a diagnosis with FIP was a death sentence; one that was seemingly more heartbreaking as most patients were kittens under the age of 12 months. Although the injectable antiviral drug, Remdisivir, produced mixed results in humans,2 it remains the only recommended antiviral for use in hospitalized patients with COVID-19.3 It also paved the way for successful FIP treatment with miraculous results, and now an oral formulation has also been developed. In addition to the mutually beneficial parallels in the treatment of feline and human coronavirus, there have also been some cross-species advancements made in the development of vaccines.


How Did They Do It So Fast?

What Cats Can Teach Us About Long Covid – Catster
Image Credit: mphotov, Shutterstock

When the first Covid-19 vaccine was announced, there was great suspicion regarding the speed of its development. What most people didn’t realize (and those behind the development of these vaccines are not widely advertising), is that the vaccine was being formulated back around 2005, following the outbreak of an earlier coronavirus strain causing severe-acute respiratory syndrome (SARS-CoV) in 2002-2004.4 However, predictions of a global SARS pandemic proved to be exaggerated, which was likely a huge blow to those invested in the vaccine production. As a result, research and development slowed down, but as much of the groundwork had been laid, mass vaccine production was able to occur at a rapid rate when a far greater viral outbreak rocked the world in late 2019, providing great relief to the global population and pharmaceutical investors. Now, if you’re really after a conspiracy theory, that’s one worth looking into!

Although the Covid-19 crisis has subsided, there are millions of people still suffering with long-term effects of the virus, with post Covid-19 condition (PCC) or ‘long covid’. Similar in many ways to the debilitating myalgic encephalomyelitis/chronic fatigue syndrome (ME/CFS), long covid presents in human patients with a previous history of infection with the virus as an array of clinical signs including:

  • profound fatigue
  • aches and pains in muscles or joints
  • feeling breathless
  • headaches
  • difficulty in thinking or concentrating (brain fog)
  • alterations in taste
  • digestive problems
  • light sensitivity

Most frustrating for sufferers is the lack of understanding of the condition, with no effective treatment in sight…until now. A team of researchers at the University of California, Davis, have discovered a feature of feline coronavirus (FIP) that may have huge implications for humans.


Humans Helping Cats Helping Humans

Lychee had feline infectious peritonitis, a feline coronavirus. He was part of a clinical trial at the UC Davis School of Veterinary Medicine that cured him of the disease. (Credit: UC Davis)
Lychee had feline infectious peritonitis, a feline coronavirus. He was part of a clinical trial at the UC Davis School of Veterinary Medicine that cured him of the disease. (Credit: UC Davis)

For years, the prevailing belief was that the virus infected just one type of immune cell, but in a recent interview, Amir Kol, lead author of the scientific study, shared the exciting discovery.

“What we found is that it actually infects a much broader range of immune cells, including those that are critical for fighting infection.”

The team found viral material inside several types of immune cells, including B lymphocytes, which produce antibodies, and T lymphocytes, which are a key component of long term virus recognition and defense. Even more significant was evidence that the virus was actively replicating itself inside these immune cells, not just leaving behind harmless fragments.

Although scientists have long suspected that the clinical signs of long Covid may be due to the virus persisting in the body, the lack of access to human lymph tissues for research has limited their ability to prove their hypothesis.

“This is where cats give us a unique opportunity,” Kol said. “We can directly study infected immune tissues in a naturally occurring coronavirus disease – something that’s very difficult to do in people.”

The research found that traces of the virus remained in immune cells after treatment had ended and the cats appeared to have made a full recovery. Because some immune cell types live for years, this could explain why some clinical signs persist or relapse.

Although human and feline coronaviruses differ, they share enough similarities that the findings of the research in cats could act as a real-world model for improving the understanding of the behavior of the human infection. Just as our feline patients have benefited from the fight against human coronavirus, the fight against FIP may provide the answers millions of people around the world are desperately seeking in their struggle with long Covid.


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Disappointed


There are actually not enough Tunnocks teacakes (the dark chocolate ones) in the world for how I feel today.

Disappointed

This morning I phoned the Pain Clinic to see what time to turn up on Monday for my much-needed spinal epidural injections only to be told that my appointment has been cancelled.

The re-scheduled me for March 2nd, the next clinic.

I cried.  Honestly, I know its not anyone’s fault but this is a huge mountain for me.

Just when I thought I could possibly see the end, it has been swiftly taken away from me.  I now have to endure two more weeks of chronic back pain along with shifting sciatica (now front upper and inner thigh) and its not easy to live with.  The pain is unceasing and eroding.

Usually by now I would be making a large flock of sheep to sell when the cruise ships arrive in early spring but now I have no stock as I can’t sit for long periods (the sciatica won’t let me) and think I will have to close my little field in Lerwick.  So that’s an essential source of funding gone.

I’m feeling very sorry for myself today.  Life is not good, not good enough and I am tired and don’t have control of my life.  Someone else is making decisions about me and, in my opionion, they’re not doing a very good job of it.

And there’s more snow forecast.

So now I am even more fed up.

(but the sun did make an appearance today and there was lovely blue sky too. And Monster got “The Bed”!)


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A Childhood Dream Returned in the Form of One Rescue Horse | The Animal Rescue Site


Chestnut horse tied inside a barn aisle, standing beside a metal wall with hay on the ground.

This story was originally shared on The Animal Rescue Site. Submit your own rescue story here. Your story just might be the next to be featured on our blog!

I’ve had a lifelong fascination with bright chestnut horses, probably dating back to watching Secretariat win the Triple Crown — especially that unforgettable Belmont run. That moment inspired me to beg my parents for riding lessons at age eight. Over the next five decades, I rode, owned, or leased many horses of all colors.

Chestnut horse wearing a halter standing in a grassy field near barns at dusk.

Robin Blakeman

After stepping away from the horse world for twenty years, I reconnected with an old horse friend who introduced me to Heart of Phoenix Equine Rescue. After several years of lessons and coaching, I felt ready to find a horse of my own again.

Woman standing in a wooden horse stall, holding and petting a chestnut horse with a white blaze.

Robin Blakeman

In 2024, while following the Heart of Phoenix Appalachian Trainer Face Off, I saw him — a tall, bright chestnut gelding with a wide white blaze. He was described as an Anglo-Arabian with riding experience who just needed a tune-up. I updated my adoption application immediately and was approved to meet him.

Close-up selfie of a person standing beside a chestnut horse inside a barn.

Robin Blakeman

By early July, I had adopted Dyno, also known as Puff the Magic Dragon. From the first ride, he felt like a horse I could truly trust. Working with him on the ground has been just as rewarding. We’ve had challenges, as all new partnerships do, but Dyno has completely captured my heart. I’m hopeful we’ll have many wonderful years together.

Story submitted by Robin Blakeman

This story was originally shared on The Animal Rescue Site. Share your very own rescue story here!

Guest ContributorGuest Contributor


Super Bowl LX : The Unbeliavable Complexity Behind Covering the Super Bowl 2026


Super Bowl LX : The Unbeliavable Complexity Behind Covering the Super Bowl 2026

Super Bowl LX is more than a football game. It’s the most-watched live broadcast in the United States and one of the most technically demanding productions in sports. When Super Bowl 2026 kicked off in San Francisco, it wasn’t just the players and coaches under pressure. Thousands of photographers, videographers, engineers, and broadcast technicians work hard behind the scenes to capture every split-second moment (and that epic Bad Bunny’s performance, if I may add).

This year, Sony’s footprint at Super Bowl LX is bigger than ever. But what does that actually mean for the people on the sidelines and in the broadcast trucks? And what does it take to cover an event at this scale? Let’s break it down.

[Related Reading: What it’s like to photograph football players]

What It Takes To Cover Super Bowl LX

Covering Super Bowl LX means preparing for unpredictable lighting, extreme weather possibilities, and, of course, constant motion at high speed. Add the deafening crowd noise and real-time file delivery to media outlets, and you have one super-challenging environment for everyone covering the event.

According to Sony’s official announcement, more than 175 Sony cameras will be on and around the field on game day to make sure everything is covered and delivered timely. This includes broadcast HDC systems and Sony Alpha mirrorless camera bodies.

The Photographer’s Reality At Super Bowl 2026

The Associated Press will be working with 55 Sony camera bodies, 80 lenses, and 15 portable data transmitters. Add in the NFL’s in-house photography team and Sony Imaging PRO Support loaner gear, and you’re looking at dozens more full-frame mirrorless bodies circulating the stadium.

Missing focus on a game-winning catch isn’t an option. Neither is a corrupted file or a delayed upload. The coverage also requires high frame rate capture and wireless mobility. They’re no longer luxury features – they’re expected. Whew, the pressure!

super bowl 2026 sony

The Halftime Show

The halftime show at Super Bowl LX is essentially a live stadium concert broadcast to a global audience. There’s an elaborate set, rapid choreography, dramatic lighting shifts, all sorts of effects, and nonstop movement – everything unfolding in real time, just like the games themselves.

For this portion of Super Bowl 2026, 11 Sony VENICE 2 digital cinema cameras and three BURANO digital cinema cameras are being deployed. This isn’t standard sports coverage. It’s feature-film-level production in a live environment. From a videographer’s perspective, that means:

Switching from NFL gameplay to concert cinematography in minutes is one of the most complex transitions in live television. And as we’ve all seen, it turned out amazing!

Beyond Cameras: Other Technology Behind the Coverage

Aside from cameras and lenses, for Super Bowl 2026, all 32 NFL teams are using Sony’s NFL Coach’s Headsets, built for clarity and durability in high-noise stadium environments. On the officiating side, Sony’s Hawk-Eye Virtual Measurement system is being used in a Super Bowl for the first time, delivering precise Line to Gain measurements once the ball is spotted. The Hawk-Eye SkeleTRACK system adds optical player and 3D ball tracking, working alongside RFID wearables to enhance positional accuracy and replay analysis. Together, these systems form a data-driven backbone that supports faster decisions, clearer communication, and a more consistent experience on the NFL’s biggest stage.

During Super Bowl 2026, multiple systems operate simultaneously:

  • Broadcast HDC system cameras feeding NBC
  • High-frame-rate capture for replays
  • Mirrorless bodies shooting stills for wire services
  • Wireless transmitters pushing files to editors in real time
  • Optical tracking systems feeding officiating and analytics

Sony shared with us the full list of the gear used for this year’s Super Bowl, and it’s pretty impressive. I’ve decided to share it in its entirety here for the gearheads among you. 🙂 Thanks to Sony, we can also take a peek at the gear depot!

NBC:

  • 37 Sony HDC-Series System Cameras:
    • 35x Sony HDC-5500
    • 2x Sony HDC-4300
    • 18 Sony HDC-Series POV Cameras:
    • 6x Sony HDC-P50A (4x 4K)
    • 11x Sony HDC-P50
    • 1x Sony HDC-P31
  • 5 Cinema Cameras:
    • 3x Sony PXW-FX9
    • 2x Sony PMW-F55
  • 2 Sony PTZ Cameras:
    • 1x Sony ILME-FR7
    • 1x Sony BRC-AM7
  • 3 Aerial/ Specialty Cameras

Half-Time Show Production:

In-Venue Imaging at Levi’s Stadium

  • 10 Sony UHD cameras, including the HDC-3500 (hard posi ons), HDC-5500 (HFR), HDC-3500 (RF
  • wireless) and ILME-FX3A (RF shallow depth of field) with Sony’s E-mount lenses sideline &
  • photography Support
  • The Associated Press: 55 Sony camera bodies, 80 lenses, 15 PDT-FP1 Portable data transmi ers
  • NFL Focus Photography Team: 8 Sony’s cameras, 20 lenses
  • Sony Imaging PRO Support:
    • 45 Sony full frame mirrorless cameras
    • 90 E-mount lenses
    • 12 PDT-FP1 Portable data transmitters
    • PXW-Z200 camcorders
  • Pre-Loan Program: Estimated 10 bodies and 15 lenses shipped in advance

Covering Super Bowl LX is a logistical and technical challenge on a scale few events can match. Photographers must anticipate peak action in fractions of a second while transmitting images instantly. Videographers balance cinematic quality with live broadcast demands. Engineers monitor data feeds, replay systems, and wireless networks without interruption.

Every layer of the game, including imaging, audio, tracking, transmission, has to function flawlessly under immense pressure. Super Bowl 2026 isn’t just a championship game; it’s one of the most complex live productions in sports, where precision, preparation, and teamwork determine whether the world sees the moment as it happens.





Video Shows What Life With a ‘Talkative Cat’ Can Look Like – CatTime


This talkative cat video offers a quick, humorous look at Cosmo turning everyday check-ins into a full conversation. The chatty cat clip plays like a back-and-forth exchange, with his owner asking simple questions and Cosmo responding with nonstop little sounds. It is cute, but also serves as a gentle warning for anyone who dreams of a quiet pet. Cosmo clearly has opinions, and he shares them repeatedly.

Video offers a no-filter look at life with a ‘talkative cat’

The clip was posted by @kosmothetalkingcat, a page that shares snippets of Cosmo’s daily life. It was posted on January 18 and received about 101.6K likes and 877 comments. In the video, Cosmo sits on a wood floor indoors, facing the camera with wide eyes. Text on screen reads, “To the people who wish to have a talkative cat this is what my day looks like so choose wisely ?.”

Cosmo’s owner starts calmly, asking, “Cosmo, what happened?” and “What’s wrong?” Cosmo responds with a string of meows that sound more like talking than a single yelp. As the “conversation” continues, the owner tries to regain control, saying, “Alright, alright, we get it, we get it,” while Cosmo continues anyway.

Based on his sleek blue-gray coat and bright eyes, Cosmo appears to resemble a Russian Blue-type cat. That breed and similar mixes can be social and vocal, especially when they want attention. This reel of a talkative cat stands out because Cosmo’s timing feels almost human, as if he is reacting to every single word.

Fans responded quickly. One wrote, “Love this breed! They are so intelligent and yes, they run their mouths!!!! ?”. Another said, “He said he wanted whatever it was that he wants ‘right now’. I heard it ?.” A third added, “He tickles me ??? he sounds like a kid ?”. Someone else admitted, “I want my future cat to be talking to me like this ?”.




Evolution of Childhood Photography by GenZ: Film, Digital Cameras, and Smartphones


Evolution of Childhood Photography by GenZ: Film, Digital Cameras, and Smartphones

If you search through a drawer at your parents’ house, you’re likely to come across a jumbled assortment of items. There might be bulky photo albums filled with sticky pages and 35mm pictures, a pile of loose 4×6 prints from a drugstore, and maybe a silver Sony Cyber-shot camera that hasn’t been charged since 2011. Clearly, these artefacts point to the evolution of childhood photography over the past few decades.

As someone who closely follows changes in visual media, I think the timeline for Gen Z (1997–2012) is a really interesting “in-between” spot in history. We are known as the “Bridge Generation,” the last to have baby photos taken on film and the first to have baby pictures captured on smartphones. It’s a strange mix of blurry and sharp visuals, truly marking the evolution of childhood photography within a single generation.

The “Last” of the Analog Era (1997–2004)

If you were born in the late 90s or early 2000s, often referred to as the Zillennials, your arrival was captured on film rather than digital tech.

For these older Gen Z individuals, child photography paused in the era of 35mm film. Parents would drop off film rolls at CVS or Walgreens, meaning there was a wait between when you took your first steps and when your parents finally received the photos.

This group is really the last to have baby pictures taken on film. Those images have a unique charm, like the “film grain,” a little red-eye from a bright flash, and the fact that you only had 24 or 36 photos to work with. Instead of snapping hundreds of selfies, you took one shot and hoped it turned out well.

Why 35mm baby photos stand out?

  • Tangibility: You can hold the film negative in your hand.
  • Scarcity: Each photo costs money to develop, making them feel more special.
  • Aesthetic: The look of these photos is what many Instagram filters try to mimic today.

The Digital Camera “Wilderness” (2005–2010)

I’ve observed that many individuals born around 2008 feel they missed out on the “iPhone revolution,” even though the iPhone debuted in 2007.

If you were born in 2008, chances are your parents weren’t quick to capture your birth using an iPhone 2G. Back in 2008, the iPhone was more of a luxury gadget than a top-notch camera. Most parents were still relying on basic Point-and-Shoot digital cameras. This was the height of the digital camera era.

At this time, Gen Z was experiencing a shift in photography from 35mm film to SD cards. It was the age of the “family camcorder” and those digital cameras that fit snugly into little neoprene cases. My own family continued using a camcorder until the late 2010s because, honestly, dedicated cameras had much better zoom capabilities than smartphones.

Even though smartphones were around, they weren’t the main choice for taking pictures. If you wanted quality photos, you reached for a Nikon Coolpix. This makes the middle-born Gen Zers the last group to have some film baby photos, while also being the main users of early digital photography. Ultimately, these developments reflect the rapid evolution of childhood photography from one era to the next.

The “First” of the Smartphone Natives (2011–2012)

If you were born in 2011 or 2012, you’re part of the first generation that has baby pictures taken on smartphones.

I vividly remember in 2012, the iPhone 4S launched with a decent camera, and Instagram was just gaining popularity. This was a crucial moment. For the first time, the phone you carried was better and easier to use than the digital camera that was sitting unused at home.

Child photography really took off with this group. They were the first to have their big moments shared online as they happened. While kids born in 2013 and later are fully used to smartphones, the last part of Gen Z was the beginning of this new way of living. In short, the evolution of childhood photography can be seen across these technological shifts.

Looking at childhood photos from Gen Z and Gen Alpha shows a clear contrast.

Gen Z: Their photos blend classic 35mm film images, memories captured on disposable cameras, and the first grainy 5-megapixel digital pics.

Gen Alpha: They grew up surrounded by 4K video, Portrait Mode, and parents sharing their lives on TikTok and Instagram right from birth.

Why Gen Z is Obsessed with the “Analog” Look Today

On TikTok, you’ll notice that many Gen Z creators are embracing the nostalgia of childhood memories captured with disposable cameras. Right now, there’s a big comeback of point-and-shoot cameras.

Why is this happening? We are the generation that has experienced both ways of storing memories. We can recall those 35mm film baby photos in family albums, yet we also grew up in a digital world where everything can be stored endlessly in the cloud. Many of us feel “digital fatigue” from having tens of thousands of photos on our phones.

By revisiting those 35mm film baby photos or old grainy shots from the digital camera days of 2006, we’re trying to regain a sense of permanence that seems lost in the smartphone age.

Shifts in Family Memories:

  • The Physical Era: 35mm film baby photos collected in a sticky album.
  • The Hybrid Era: Digital photos saved on a hard drive (which might have failed).
  • The Cloud Era: The first generation with baby photos stored on iCloud or Google Photos.

Gen Z is the only generation that can honestly say they’re the last to have baby photos on film and the first to have them on smartphones. This neatly summarises the evolution of childhood photography for modern families.

Whether our baby videos were captured on a big VHS camcorder, a MiniDV, a FlipVideo, or an iPhone 4, our childhood showcases the fastest change in how we remember things. We link the old physical way of capturing memories with the new digital methods.

While childhood photography will keep changing, no other generation will experience the “Great Pixel Pivot” as we have.

[Image credits: Pexels]